For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

For information regarding your data privacy, visit acast.com/privacy

Vogue Podcast

Zac Posen

Alessandra Codinha and Susan Miller

Andrew Bolton

Celia Ellenberg and Pat McGrath For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Celia Ellenberg and Pat McGrath For information regarding your data privacy, visit acast.com/privacy

Celia Ellenberg and Pat McGrath

Edward Barsamian and Adriana Lima

Tom Ford

Celia Ellenberg and Isamaya Ffrench

“The no-BS vibe of the podcast is why people like it so much,” says Krystyna Hutchinson of the Guys We F****d podcast. This week, Hutchinson and cofounder Corinne Fisher talk to Vogue.com Creative Digital Director Sally Singer about how the scope of their podcast has changed since the show first started “as a social experiment” in December 2013. Though the series has always focused on sexuality, Hutchinson and Fisher explain that it’s evolved into a discussion of other hot-button issues while still taking a distinctly comedic approach to the subject matter. “Comedians is what we are first and foremost,” Hutchinson says. “Part of being a comedian is your social commentary and how you view the world and how comedy is such a great way to take all the things that frustrate me about life and about being a woman and turning that on its head.” Plus, as Fisher adds, “It’s really convenient being a comedian because you know a lot of f****d-up people.” Get to know the girls from the groundbreaking anti-slut-shaming... For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

“The no-BS vibe of the podcast is why people like it so much,” says Krystyna Hutchinson of the Guys We F****d podcast. This week, Hutchinson and cofounder Corinne Fisher talk to Vogue.com Creative Digital Director Sally Singer about how the scope of their podcast has changed since the show first started “as a social experiment” in December 2013. Though the series has always focused on sexuality, Hutchinson and Fisher explain that it’s evolved into a discussion of other hot-button issues while still taking a distinctly comedic approach to the subject matter. “Comedians is what we are first and foremost,” Hutchinson says. “Part of being a comedian is your social commentary and how you view the world and how comedy is such a great way to take all the things that frustrate me about life and about being a woman and turning that on its head.” Plus, as Fisher adds, “It’s really convenient being a comedian because you know a lot of f****d-up people.” Get to know the girls from the groundbreaking anti-slut-shaming... For information regarding your data privacy, visit acast.com/privacy

Sally Singer, Corinne Fisher, and Krystyna Hutchinson

Helena Suric and Maye Musk

The October Issue with Elizabeth Rubin and Tonne Goodman

In the latest installment of the Vogue podcast, Gypsy Sport’s Rio Uribe offers up a lesson in making one’s dreams a reality—a skill the CFDA/Vogue Fashion Fund alum says he has been honing since childhood. “My family was very resourceful and all of our Halloween costumes were very makeshift,” Uribe tells Vogue’s Mark Holgate with a laugh. “Growing up, I was taught to be . . . a make-things-happen type of guy.” As Uribe explains, the first lesson in finding success outside of the classroom starts with believing in yourself. “I did not go to school and I did not get all of the internships, but I did always have the passion and desire to be in the fashion industry, and more importantly, to be a creator.” Here, on the heels of the designer’s Spring 2017 ready-to-wear show, tune in to get the full story you won’t find anywhere else, not even on the runway. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

In the latest installment of the Vogue podcast, Gypsy Sport’s Rio Uribe offers up a lesson in making one’s dreams a reality—a skill the CFDA/Vogue Fashion Fund alum says he has been honing since childhood. “My family was very resourceful and all of our Halloween costumes were very makeshift,” Uribe tells Vogue’s Mark Holgate with a laugh. “Growing up, I was taught to be . . . a make-things-happen type of guy.” As Uribe explains, the first lesson in finding success outside of the classroom starts with believing in yourself. “I did not go to school and I did not get all of the internships, but I did always have the passion and desire to be in the fashion industry, and more importantly, to be a creator.” Here, on the heels of the designer’s Spring 2017 ready-to-wear show, tune in to get the full story you won’t find anywhere else, not even on the runway. For information regarding your data privacy, visit acast.com/privacy

Mark Holgate and Rio Uribe

How does one become “the face that launched a billion likes”? For Vogue’s September cover girl, Kendall Jenner, it all started with a series of selfies. “I remember being 13 [or] 14 and making the funniest little book for my mom of photos of me that I took,” Jenner recounts via phone to Vogue Bookings Director Helena Suric. “I was like, ‘I want to be a model and you need to help me.’ ” A week later, Jenner was signed by an agency, and the rest is history. While Jenner may be leading the pack of social media–savvy models using Instagram to carve out their futures, she’s also quick to pay tribute to the trailblazers who came before her: “It’s just so impressive to me that models like Cindy and Linda and Christy and Naomi—they didn’t have what I have today to connect with fans, but they still had that connection with a photo.” Of course, it never hurts to consider a new and different perspective, or in Jenner’s case, an older lens. “I use an old vintage film camera and it takes some amazing, authentic... For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

How does one become “the face that launched a billion likes”? For Vogue’s September cover girl, Kendall Jenner, it all started with a series of selfies. “I remember being 13 [or] 14 and making the funniest little book for my mom of photos of me that I took,” Jenner recounts via phone to Vogue Bookings Director Helena Suric. “I was like, ‘I want to be a model and you need to help me.’ ” A week later, Jenner was signed by an agency, and the rest is history. While Jenner may be leading the pack of social media–savvy models using Instagram to carve out their futures, she’s also quick to pay tribute to the trailblazers who came before her: “It’s just so impressive to me that models like Cindy and Linda and Christy and Naomi—they didn’t have what I have today to connect with fans, but they still had that connection with a photo.” Of course, it never hurts to consider a new and different perspective, or in Jenner’s case, an older lens. “I use an old vintage film camera and it takes some amazing, authentic... For information regarding your data privacy, visit acast.com/privacy

Helena Suric and Kendall Jenner

The Vogue September issue runs roughly 800 pages, but there’s always a behind-the-scenes story or two that are left untold. Enter Vogue Editor in Chief Anna Wintour and Vogue Fashion Director Tonne Goodman. This week, Wintour and Goodman discuss the making of the magazine and this month’s cover girl, Kendall Jenner. “In a way, her chameleon-like abilities remind me of the great Linda Evangelista in that she can take on all of these different characters,” Wintour says of Jenner. “And that’s really what Tonne Goodman so successfully achieved in this shoot with Mert [Alas] and Marcus [Piggott] in September.” Jenner’s breakout beauty look didn’t hurt either. “She said, ‘You know, I would love to change something—I’d love to cut my hair,’” Goodman recalls of the spontaneous on-set chop, which came courtesy of editorial whiz Garren. Of course, Jenner is already the face that launched a billion likes, but as Goodman reveals, her mother, Kris, was somewhat wary of her similarly fresh makeup look. “She raised an... For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

The Vogue September issue runs roughly 800 pages, but there’s always a behind-the-scenes story or two that are left untold. Enter Vogue Editor in Chief Anna Wintour and Vogue Fashion Director Tonne Goodman. This week, Wintour and Goodman discuss the making of the magazine and this month’s cover girl, Kendall Jenner. “In a way, her chameleon-like abilities remind me of the great Linda Evangelista in that she can take on all of these different characters,” Wintour says of Jenner. “And that’s really what Tonne Goodman so successfully achieved in this shoot with Mert [Alas] and Marcus [Piggott] in September.” Jenner’s breakout beauty look didn’t hurt either. “She said, ‘You know, I would love to change something—I’d love to cut my hair,’” Goodman recalls of the spontaneous on-set chop, which came courtesy of editorial whiz Garren. Of course, Jenner is already the face that launched a billion likes, but as Goodman reveals, her mother, Kris, was somewhat wary of her similarly fresh makeup look. “She raised an... For information regarding your data privacy, visit acast.com/privacy

The September Issue with Anna Wintour and Tonne Goodman

“This is fascinating history—you’re a gold mine!” So says André Leon Talley in the latest episode of the Vogue podcast. This week Talley digs deep with Lynn Wyatt, the legendary Texan socialite and world-renowned collector of couture (yes, that’s a thing). Here, she shares stories that will knock your socks off, or, in Wyatt’s case, Tom Ford stilettos. From fittings with Coco Chanel to parties with Grace Kelly—and one where they both showed up in the same Christian Dior outfit—you have to hear it to believe it. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

“This is fascinating history—you’re a gold mine!” So says André Leon Talley in the latest episode of the Vogue podcast. This week Talley digs deep with Lynn Wyatt, the legendary Texan socialite and world-renowned collector of couture (yes, that’s a thing). Here, she shares stories that will knock your socks off, or, in Wyatt’s case, Tom Ford stilettos. From fittings with Coco Chanel to parties with Grace Kelly—and one where they both showed up in the same Christian Dior outfit—you have to hear it to believe it. For information regarding your data privacy, visit acast.com/privacy

Lynn Wyatt

How does one become Joseph Altuzarra? In the latest episode of the Vogue podcast, the French-born designer tells Vogue Fashion News Director, Mark Holgate the formula was as simple as alphabetical order. “When I graduated, I sent my résumé to Marc Jacobs,” Altuzarra says of what would become his first big break in the fashion industry. “An intern, I guess, had been asked to alphabetize the résumés and so mine was on the top of the pile so I was the first one they called and I was available so they just stopped there.” While Altuzarra goes on to detail the great many design lessons he learned as an intern for Jacobs, the 2011 CFDA/Vogue Fashion Fund winner also recalls a valuable piece of advice Holgate gave him early on in his career trajectory. “You said, ‘It’s good to make mistakes. You shouldn’t be afraid to do something,’ and, actually, Anna [Wintour] sort of reiterated that the last time I saw her: ‘It’s okay if it’s not always perfect and it’s okay if you have an idea that sort of falls flat. It’s... For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

How does one become Joseph Altuzarra? In the latest episode of the Vogue podcast, the French-born designer tells Vogue Fashion News Director, Mark Holgate the formula was as simple as alphabetical order. “When I graduated, I sent my résumé to Marc Jacobs,” Altuzarra says of what would become his first big break in the fashion industry. “An intern, I guess, had been asked to alphabetize the résumés and so mine was on the top of the pile so I was the first one they called and I was available so they just stopped there.” While Altuzarra goes on to detail the great many design lessons he learned as an intern for Jacobs, the 2011 CFDA/Vogue Fashion Fund winner also recalls a valuable piece of advice Holgate gave him early on in his career trajectory. “You said, ‘It’s good to make mistakes. You shouldn’t be afraid to do something,’ and, actually, Anna [Wintour] sort of reiterated that the last time I saw her: ‘It’s okay if it’s not always perfect and it’s okay if you have an idea that sort of falls flat. It’s... For information regarding your data privacy, visit acast.com/privacy

Mark Holgate and Joseph Altuzarra

Vogue Podcast Series, hosted by editors from Vogue Magazine.

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Vogue Podcast

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