From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans? Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts'&nbsp;ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials.&nbsp; Warning: this podcast contains a live 'millennial whoop'. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans? Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts'&nbsp;ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials.&nbsp; Warning: this podcast contains a live 'millennial whoop'. For information regarding your data privacy, visit acast.com/privacy

FT Life of a Song

Sincerity or self-branding: what defines millennial music?

When "Wuthering Heights" was released 40 years ago this year, it became the first song written and performed by a woman&nbsp;to reach number one in the UK charts. What was the song's — and Bush's — special appeal? Why have there been more parodies than straight covers? And why is it so popular now, with re-enactments of the music video taking place around the world? FT music writers Jude Rogers, Helen Brown and David Cheal discuss the song and its afterlife. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

When "Wuthering Heights" was released 40 years ago this year, it became the first song written and performed by a woman&nbsp;to reach number one in the UK charts. What was the song's — and Bush's — special appeal? Why have there been more parodies than straight covers? And why is it so popular now, with re-enactments of the music video taking place around the world? FT music writers Jude Rogers, Helen Brown and David Cheal discuss the song and its afterlife. For information regarding your data privacy, visit acast.com/privacy

Kate Bush's Wuthering Heights

Set against a backdrop of protest and upheaval, the songs released in 1968 represent a turning point in music. FT pop writers David Cheal and Peter Aspden are joined by author Tot Taylor to debate the year's most important songs and artists, from Tyrannosaurus Rex, The Beatles and Pink Floyd to Joni Mitchell and Tim Buckley. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Set against a backdrop of protest and upheaval, the songs released in 1968 represent a turning point in music. FT pop writers David Cheal and Peter Aspden are joined by author Tot Taylor to debate the year's most important songs and artists, from Tyrannosaurus Rex, The Beatles and Pink Floyd to Joni Mitchell and Tim Buckley. For information regarding your data privacy, visit acast.com/privacy

1968: The Year that Music Changed

What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them?&nbsp; FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'? For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them?&nbsp; FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'? For information regarding your data privacy, visit acast.com/privacy

The best Christmas music: a definitive guide

Billie Holiday’s 1939 'Strange Fruit' was called 'the first significant protest in words and music, the first unmuted cry against racism'. Other singers attempted it, from Nina Simone and Diana Ross to Jeff Buckley and Kanye West. But could any match the power of the impassioned original? FT pop writers David Cheal, Fiona Sturges and Helen Brown discuss the song's origins and afterlife. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Billie Holiday’s 1939 'Strange Fruit' was called 'the first significant protest in words and music, the first unmuted cry against racism'. Other singers attempted it, from Nina Simone and Diana Ross to Jeff Buckley and Kanye West. But could any match the power of the impassioned original? FT pop writers David Cheal, Fiona Sturges and Helen Brown discuss the song's origins and afterlife. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Strange Fruit

From Bob Dylan to Adele, the song that was first called 'a spare ballad undermined by greetingcard lyrics' is now a karaoke tearjerker. FT pop writers David Cheal and Helen Brown debate the origins, meanings and cover versions of 'Make You Feel My Love'. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

From Bob Dylan to Adele, the song that was first called 'a spare ballad undermined by greetingcard lyrics' is now a karaoke tearjerker. FT pop writers David Cheal and Helen Brown debate the origins, meanings and cover versions of 'Make You Feel My Love'. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Make You Feel My Love

In a special episode to mark the publication of The Life of a Song book, FT pop critics Helen Brown, David Cheal and Ludovic Hunter-Tilney debate whether a song can really change the world. Hear the stories behind the hits, from Bowie's 'Starman' to Jay-Z's 'Hard Knock Life (Ghetto Anthem)'. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

In a special episode to mark the publication of The Life of a Song book, FT pop critics Helen Brown, David Cheal and Ludovic Hunter-Tilney debate whether a song can really change the world. Hear the stories behind the hits, from Bowie's 'Starman' to Jay-Z's 'Hard Knock Life (Ghetto Anthem)'. For information regarding your data privacy, visit acast.com/privacy

The Hits that Shook the World

It achieved distinction in an era of elemental riffs, and journeyed effortlessly to and fro across the Atlantic. It also marked a turning point in the career of the greatest guitarist who ever lived: Jimi Hendrix. FT pop writers Peter Aspden and David Cheal discuss "Wild Thing" 50 years after Hendrix's groundbreaking performance at the Monterey Pop festival. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

It achieved distinction in an era of elemental riffs, and journeyed effortlessly to and fro across the Atlantic. It also marked a turning point in the career of the greatest guitarist who ever lived: Jimi Hendrix. FT pop writers Peter Aspden and David Cheal discuss "Wild Thing" 50 years after Hendrix's groundbreaking performance at the Monterey Pop festival. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Wild Thing

The singer’s old label boss called the song ‘a morbid mess’, but it shot to number one in the US. Ahead of the 40th anniversary of Elvis’s death in August, FT pop writers Peter Apsden and David Cheal discuss the song's origins, dark appeal and afterlife. Credits: 104pro Media, Legacy Recordings, Entertain Me Ltd, Spectrum, Omnivore Recordings, Vengeance Records For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

The singer’s old label boss called the song ‘a morbid mess’, but it shot to number one in the US. Ahead of the 40th anniversary of Elvis’s death in August, FT pop writers Peter Apsden and David Cheal discuss the song's origins, dark appeal and afterlife. Credits: 104pro Media, Legacy Recordings, Entertain Me Ltd, Spectrum, Omnivore Recordings, Vengeance Records For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Elvis Presley's Heartbreak Hotel

Twenty years after they headlined Glastonbury, Radiohead return to the British music festival. FT pop writers Ludovic Hunter-Tilney and David Cheal discuss the band's lullaby of despair 'No Surprises' from their 1997 album OK Computer. Credits: Sire/Warner Bros, mudhutdigital.com, XL Recordings, Easy Star, SKIP Records For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Twenty years after they headlined Glastonbury, Radiohead return to the British music festival. FT pop writers Ludovic Hunter-Tilney and David Cheal discuss the band's lullaby of despair 'No Surprises' from their 1997 album OK Computer. Credits: Sire/Warner Bros, mudhutdigital.com, XL Recordings, Easy Star, SKIP Records For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Radiohead's No Surprises

David Honigmann looks at how a sleeping Keith Richards dreamt up a riff that would later develop into a number one hit for Rolling Stones and become one of the most recognisable rock anthems of all times. Credits: ABKCO Records Inc, Universal International Music B.V, Rhino Atlantic, Virgin Records Ltd. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

David Honigmann looks at how a sleeping Keith Richards dreamt up a riff that would later develop into a number one hit for Rolling Stones and become one of the most recognisable rock anthems of all times. Credits: ABKCO Records Inc, Universal International Music B.V, Rhino Atlantic, Virgin Records Ltd. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: (I Can't Get No) Satisfaction

David Cheal looks at how Bob Dylan took inspiration from an old Scottish border ballad while writing this era-defining apocalyptic vision of what he saw as the violent, ignorant and hypocritical socio-political landscape of 1960s America. Credits: Sony Music Entertainment Inc, A Wing & A Prayer Ltd, Vanguard Records, Virgin Records. Patti Smith Nobel ceremony recording courtesy of: Nobelprize.org. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

David Cheal looks at how Bob Dylan took inspiration from an old Scottish border ballad while writing this era-defining apocalyptic vision of what he saw as the violent, ignorant and hypocritical socio-political landscape of 1960s America. Credits: Sony Music Entertainment Inc, A Wing & A Prayer Ltd, Vanguard Records, Virgin Records. Patti Smith Nobel ceremony recording courtesy of: Nobelprize.org. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: A Hard Rain's A-Gonna Fall

Helen Brown looks at how Serge Gainsbourg's infamously salacious love song originally written for Brigitte Bardot would become a hit for the French composer and his English girlfriend Jane Birkin, despite facing widespread bans and condemnation. Credits: Mercury France, Mercury Music Group, Rarity Music, Parlophone UK, Barclay. For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Helen Brown looks at how Serge Gainsbourg's infamously salacious love song originally written for Brigitte Bardot would become a hit for the French composer and his English girlfriend Jane Birkin, despite facing widespread bans and condemnation. Credits: Mercury France, Mercury Music Group, Rarity Music, Parlophone UK, Barclay. For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: Je T'aime... Moi Non Plus

Ian McCann takes a look at one of the greatest and most culturally influential rap songs by genre pioneers Grandmaster Flash & The Furious Five. A hit urban anthem, it almost wasn't recorded... Credits: Castle Communications, Warner Bros, Wagram Music, The Island Def Jam Music Group, Atlantic Records For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Ian McCann takes a look at one of the greatest and most culturally influential rap songs by genre pioneers Grandmaster Flash & The Furious Five. A hit urban anthem, it almost wasn't recorded... Credits: Castle Communications, Warner Bros, Wagram Music, The Island Def Jam Music Group, Atlantic Records For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: The Message

Ian McCann looks at how a turn-of-the-century Neopolitan ballad was adapted into a hit for Elvis, before becoming an anthem for ice cream lovers and football fans alike. Credits: Bongiovanni, Delta, AP Music Ltd, Nuova Canaria, Randy's Group, Inc, Autarc Media GmbH For information regarding your data privacy, visit <a href="https://www.acast.com/privacy">acast.com/privacy</a>

Ian McCann looks at how a turn-of-the-century Neopolitan ballad was adapted into a hit for Elvis, before becoming an anthem for ice cream lovers and football fans alike. Credits: Bongiovanni, Delta, AP Music Ltd, Nuova Canaria, Randy's Group, Inc, Autarc Media GmbH For information regarding your data privacy, visit acast.com/privacy

The Life of a Song: O Sole Mio

Each month FT music critics and contributors discuss the story of a song, from its origins and early recordings through cover versions good and bad. Formerly called FT Arts.

hubhopper

FT Life of a Song

hubhopper